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Tuesday, March 13, 2012

Freewheelin Bob Dylan (Reis)

Freewheelin Bob Dylan (Reis)

Freewheelin Bob Dylan (Reis)


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Freewheelin Bob Dylan (Reis)

Dylan's outstanding second album is a tremendous jump from its predecessor. Whereas the debut established him as a peerless interpreter of folk and country-blues classics, and a singer like none before, this followup features some of the most pungent original songs of the '60s. "Blowin' in the Wind," "Masters of War," "A Hard Rain's A-Gonna Fall," "Don't Think Twice, It's All Right," "I Shall Be Free": if this sounds like the lineup for a greatest-hits collection, you've got the idea. Nat Hentoff's liner notes are charmingly dated, but Dylan's idiosyncratic singing, unexpected lyrics, and inimitable guitar and harmonica playing are as immediate and relevant as whatever you heard on the radio today. (As great as this is, there's much more: a handful of top-rank outtakes from Freewheelin' appear on the Bootleg Series box set.) --Jimmy Guterman


Freewheelin Bob Dylan (Reis)



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Friday, March 9, 2012

Bob Dylan - Greatest Hits


Bob Dylan - Greatest Hits


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Bob Dylan - Greatest Hits

Bob Dylan - Greatest Hits
Digitally remastered 1997 reissue of his very first hits collection with alternate cover artwork. Contains 12 classic tracks, including three not on the U.S. version: 'She Belongs To Me', 'It's All Over Now, Baby Blue' and 'One Of Us Must Know'. Columbia release.
Bob Dylan - Greatest Hits

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Bob Dylan - Greatest Hits
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Thursday, March 8, 2012

Empire Burlesque

Empire Burlesque

Empire Burlesque


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Empire Burlesque

Out of print in the U.S.! Originally released in 1985, Bob is backed by a stellar band including Ron Wood, Mike Campbell, Al Kooper, Mick Taylor, Benmont Tench, Sly & Robbie and others. 10 tracks. Sony.


Empire Burlesque



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Monday, March 5, 2012

Sunday, March 4, 2012

Chronicles: 1

Chronicles: 1

Chronicles: 1


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Chronicles: 1

"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.



Chronicles: 1



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Saturday, March 3, 2012

"Love and Theft"



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"Love and Theft"



When we last left the ever-confounding saga that is Bob Dylan's now-superhuman recording career, he'd reunited with producer Daniel Lanois, with whom he cut 1997's Time Out of Mind, his most coherent and appealing collection in nearly a decade. Now the still-reigning prince of musical contrariety and potent wordplay is back with his most focused, well-played collection since 1989's Oh Mercy, another Lanois production. One listen to the fade-in of the opener "Tweedle Dee & Tweedle Dum" and it's clear that all Dylan's roadwork has shaped him and his band (including guitarist Charlie Sexton) into a mighty musical weapon. And while his craggy howl continues to resonate, it's the songs here that astonish. A sturdy midtempo melody makes "Mississippi" the equal of the best numbers on Time, which it was actually written for. He convincingly puts over the R&B swing (yes, swing) number "Summer Days." "Honest with Me" ("I'm not sorry for nuthin' I've done / I'm glad I fight, I only wished we'd won") is a driving rocker that packs a genuine punch. And the light, lounge-like "Bye and Bye" and the southland ramble "Floater (Too Much to Ask)" show extraordinary confidence. He's labeled these songs "blues-based," but in typical Dylan fashion what would promise to be the most overtly blues number here--"High Water (for Charlie Patton)"--sounds like a banjo-based gunfighter ballad. But then that's this artist's gift: confounding expectations. --Robert Baird
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Friday, March 2, 2012

The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991



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The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991


The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991
Bob Dylan has always been incredibly prolific, only releasing a fraction of what he records. Such a policy has made him a prime target for bootleggers over the years, finally prompting this sanctioned 1991 triple-disc dive into the Dylan vaults. It consists of rare tracks, unreleased outtakes, early versions of classics ("Times They Are a-Changin'," "Like a Rolling Stone," "I Shall Be Released"), and alternate versions that sometimes cut the originals ("Idiot Wind"). A measure of Dylan's depth is his list of discarded songs ("She's Your Lover Now," "Blind Willie McTell," "Series of Dreams") that would be the crown jewels of most catalogs. These 58 tracks serve as a shadow history of one of our most important artists. --Ben Edmonds
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Wednesday, February 29, 2012

Beyond Here Lies Nothin': the Best of Bob Dylan



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Beyond Here Lies Nothin': the Best of Bob Dylan


Beyond Here Lies Nothin': the Best of Bob Dylan
UK two CD collection from the legendary singer/songwriter and Folk/Rock icon. 33 tracks including 'Blowin' In The Wind', 'It Ain't Me, Babe', 'Subterranean Homesick Blues', 'Like A Rolling Stone', 'Lay, Lady, Lay', 'Knockin' On Heaven's Door' and many more. Sony.
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Monday, February 27, 2012

Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)



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Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)


Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)
BOB DYLAN: DONT LOOK BACK--65 TOUR DELUXE EDITION is the ultimate look at Bob Dylan's concert tour of England in the spring of 1965--one of the most intimate profiles of an artist ever put to film. This definitive set includes the remastered classic film by D.A. Pennebaker, a brand-new, hour-long look at Dylan, and the original 168-page companion book to the film. More than just a concert film, DONT LOOK BACK is a window into the spirit of the 60s, and one of the poet-musicians whose words and songs defined it.

DISC 1: BOB DYLAN DONT LOOK BACK
This digitally-remastered version of the cinema verite classic follows Dylan on his extraordinary 1965 concert tour of England--his last as an acoustic performer. With unobtrusive equipment and rare access to Dylan, legendary filmmaker D.A. Pennebaker achieved an unprecedented, fly-on-the-wall glimpse of one of music's most influential figures--and redefined filmmaking along the way.

DISC 2: BOB DYLAN 65 REVISITED
Forty years after the release of DONT LOOK BACK, D.A. Pennebaker has created this new work culled from over 20 hours of never-before-seen rare footage from his personal archive of film negatives. Raw and unassuming, '65 REVISITED provides a fresh perspective of the young Dylan on the road during his 1965 English tour.

BONUS - DONT LOOK BACK COMPANION BOOK & FLIPBOOK
Originally published in 1968, the 168-page companion book features a complete transcription of the film, over 200 photos, and a new forward by D.A. Pennebaker. The collectible Subterranean Homesick Blues flipbook provides a frame-by-frame look at the film's famed 'cue-card' sequence, considered by many to be the first contemporary music video.

DVD Features Include:
Five Additional Uncut Audio Tracks; Two Commentaries by D.A. Pennebaker and tour road manager Bob Neuwirth; Alternate Version of the Subterranean Homesick Blues Cue Card Sequence; Original Theatrical Trailer; D.A. Pennebaker Filmography; Bob Dylan Discography; Cast and Crew Biographies

Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)

  • Bob Dylan: Don't Look Back - 65 Tour Edition is the ultimate look at Bob Dylan's concert tour of England in the spring of 1965 - one of the most intimate profiles of an artist ever put to film. This definitive set includes the remasteredic film by D.A. Pennebaker, a brand-new, hour-long look at Dylan, and the original 1968 companion book to the film, all housed in an eye-catching, collecti

Bob Dylan - Don't Look Back (1965 Tour Deluxe Edition)
Both a classic documentary and a vital pop-cultural artifact, D.A. Pennebaker's portrait of Bob Dylan captures the seminal singer-songwriter on the cusp of his transformation from folk prophet to rock trendsetter. Shot during Dylan's 1965 British concert tour, Don't Look Back employs an edgy vérité style that was, and is, a snug fit with the artist's own consciously rough-hewn persona. Its handheld black-and-white images and often-gritty London backdrops suggest cinematic extensions of the archetypal monochrome portraits that graced Dylan's career-making early-'60s album jackets.

Pennebaker's access to the legendarily private troubadour enables us to witness Dylan's shifting moods as he performs, relaxes with his entourage (including then lover Joan Baez, road manager Bob Neuwirth, and poker-faced manager Albert Grossman), and jousts with other musicians (notably Animals alumnus Alan Price and Scottish folksinger Donovan), fans, and press. It's a measurement of the filmmaker's acuity that the conversations are often as gripping as Dylan's solo performances. Grossman's machinations with British promoters, Baez's hip serenity, a grizzled British journalist's surrender to the fact of Dylan's artistry, and the artist's own taunting dismissal of a clueless sycophant are all absorbing.

With the exception of the studio recording of "Subterranean Homesick Blues," the live performances (including five newly restored, complete audio tracks excised from the original film but included on the DVD version) are constrained by crude audio gear. Their urgency, however, is timeless, as is Pennebaker's film, a legitimate cornerstone for any serious rock video collection. --Sam Sutherland



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Sunday, February 26, 2012

(24x36) Bob Dylan Face, Glasses Music Poster Print

(24x36) Bob Dylan Face, Glasses Music Poster Print

(24x36) Bob Dylan Face, Glasses Music Poster Print


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(24x36) Bob Dylan Face, Glasses Music Poster Print

(24x36) Bob Dylan Face, Glasses Music Poster Print

(24x36) Bob Dylan Face, Glasses Music Poster Print
  • decorate your walls with this brand new poster
  • easy to frame and makes a great gift too
  • ships quickly and safely in a sturdy protective tube
  • measures 24.00 by 36.00 inches (60.96 by 91.44 cms)


(24x36) Bob Dylan Face, Glasses Music Poster Print



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