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Tuesday, March 13, 2012

Freewheelin Bob Dylan (Reis)

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Dylan's outstanding second album is a tremendous jump from its predecessor. Whereas the debut established him as a peerless interpreter of folk and country-blues classics, and a singer like none before, this followup features some of the most pungent original songs of the '60s. "Blowin' in the Wind," "Masters of War," "A Hard Rain's A-Gonna Fall," "Don't Think Twice, It's All Right," "I Shall Be Free": if this sounds like the lineup for a greatest-hits collection, you've got the idea. Nat Hentoff's liner notes are charmingly dated, but Dylan's idiosyncratic singing, unexpected lyrics, and inimitable guitar and harmonica playing are as immediate and relevant as whatever you heard on the radio today. (As great as this is, there's much more: a handful of top-rank outtakes from Freewheelin' appear on the Bootleg Series box set.) --Jimmy Guterman

Freewheelin Bob Dylan (Reis)

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Friday, March 9, 2012

Bob Dylan - Greatest Hits

Bob Dylan - Greatest Hits

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Digitally remastered 1997 reissue of his very first hits collection with alternate cover artwork. Contains 12 classic tracks, including three not on the U.S. version: 'She Belongs To Me', 'It's All Over Now, Baby Blue' and 'One Of Us Must Know'. Columbia release.

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Thursday, March 8, 2012

Empire Burlesque

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Out of print in the U.S.! Originally released in 1985, Bob is backed by a stellar band including Ron Wood, Mike Campbell, Al Kooper, Mick Taylor, Benmont Tench, Sly & Robbie and others. 10 tracks. Sony.

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Monday, March 5, 2012

Tom Petty And The Heartbreakers Classic Rock Band T-Shirt Tee Select Shirt Size: Small

Tom Petty And The Heartbreakers Classic Rock Band T-Shirt Tee Select Shirt Size: Small

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Tom Petty And The Heartbreakers Classic Rock Band T-Shirt
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Sunday, March 4, 2012

Chronicles: 1

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"I'd come from a long ways off and had started a long ways down. But now destiny was about to manifest itself. I felt like it was looking right at me and nobody else."

So writes Bob Dylan in Chronicles: Volume One, his remarkable book exploring critical junctures in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities -- smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough. With the book's side trips to New Orleans, Woodstock, Minnesota and points west, Chronicles: Volume One is an intimate and intensely personal recollection of extraordinary times.

By turns revealing, poetical, passionate and witty, Chronicles: Volume One is a mesmerizing window on Bob Dylan's thoughts and influences. Dylan's voice is distinctively American: generous of spirit, engaged, fanciful and rhythmic. Utilizing his unparalleled gifts of storytelling and the exquisite expressiveness that are the hallmarks of his music, Bob Dylan turns Chronicles: Volume One into a poignant reflection on life, and the people and places that helped shape the man and the art.

Chronicles: 1

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Saturday, March 3, 2012

"Love and Theft"


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	"Love and Theft" When we last left the ever-confounding saga that is Bob Dylan's now-superhuman recording career, he'd reunited with producer Daniel Lanois, with whom he cut 1997's Time Out of Mind, his most coherent and appealing collection in nearly a decade. Now the still-reigning prince of musical contrariety and potent wordplay is back with his most focused, well-played collection since 1989's Oh Mercy, another Lanois production. One listen to the fade-in of the opener "Tweedle Dee & Tweedle Dum" and it's clear that all Dylan's roadwork has shaped him and his band (including guitarist Charlie Sexton) into a mighty musical weapon. And while his craggy howl continues to resonate, it's the songs here that astonish. A sturdy midtempo melody makes "Mississippi" the equal of the best numbers on Time, which it was actually written for. He convincingly puts over the R&B swing (yes, swing) number "Summer Days." "Honest with Me" ("I'm not sorry for nuthin' I've done / I'm glad I fight, I only wished we'd won") is a driving rocker that packs a genuine punch. And the light, lounge-like "Bye and Bye" and the southland ramble "Floater (Too Much to Ask)" show extraordinary confidence. He's labeled these songs "blues-based," but in typical Dylan fashion what would promise to be the most overtly blues number here--"High Water (for Charlie Patton)"--sounds like a banjo-based gunfighter ballad. But then that's this artist's gift: confounding expectations. --Robert Baird [else]

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Friday, March 2, 2012

The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991


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	The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991 Bob Dylan has always been incredibly prolific, only releasing a fraction of what he records. Such a policy has made him a prime target for bootleggers over the years, finally prompting this sanctioned 1991 triple-disc dive into the Dylan vaults. It consists of rare tracks, unreleased outtakes, early versions of classics ("Times They Are a-Changin'," "Like a Rolling Stone," "I Shall Be Released"), and alternate versions that sometimes cut the originals ("Idiot Wind"). A measure of Dylan's depth is his list of discarded songs ("She's Your Lover Now," "Blind Willie McTell," "Series of Dreams") that would be the crown jewels of most catalogs. These 58 tracks serve as a shadow history of one of our most important artists. --Ben Edmonds [else]

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Tuesday, March 13, 2012

Friday, March 9, 2012

Bob Dylan - Greatest Hits

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Thursday, March 8, 2012

Monday, March 5, 2012

Tom Petty And The Heartbreakers Classic Rock Band T-Shirt Tee Select Shirt Size: Small

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Sunday, March 4, 2012

Saturday, March 3, 2012

"Love and Theft"

Friday, March 2, 2012

The Bootleg Series, Vols. 1-3 : Rare And Unreleased, 1961-1991